Sleepwalking

Hmmm...where to begin? I started drawing a figure, only having a vague idea of what I was doing. I wanted to make a weird lanky female with really long, blonde hair, and I wanted to keep the composition really simple. I decided I would use only a few colors - pale yellow for hair, pale purple for the body, and either light gray or white in the background. But somewhere along the way I turned the figure into what now appears to be a male with an incredibly long forehead wearing a sleeping bag and walking on a green pasture with the pattern of my pajama pants in the background...hmmm....I changed the colors of the arms from a dark maroon color to the current teal/blue and also added the harlequin-like diamond pattern in select areas.

Here's a close-up of the face, which I find hilarious for some reason - such determination! Such a giant forehead! Created with Staedtler permanent marker, gouache, watercolor, pencil, and colored pencil.

A Crayola X-Mas

My roomie received some weird Crayola paper and markers for Christmas - I believe they're called "Explosive Color" - because the marker reacts with the special paper in a way that makes it look extra bright, almost like poster paint. I made this weird little drawing last night, just messing around with the markers...

Five Easy Pieces

After seeing the film "Five Easy Pieces" last week I decided to continue my (small) series of drawings of crying women in film...so far I have Debbie Reynolds in "Singin' in the Rain" and Anna Karina in "Vivre sa vie." This is Karen Black in a scene early in the film where she's sitting in the car outside of the bowling alley. This lady cries pretty much throughout the whole film, but this was one of the few times you can see her face easily. I tried to capture the washed-out color of early '70s film...I liked the idea of her head floating in a sea of pale yellow hair.

So that was the first drawing I made (above). After I finished it, I decided I wanted to try again and cartoon-ify it a little bit, and the result (below) ended up looking like some weird neo-Lichtenstein creation:

And below is a real Lichtenstein:

Top drawing is various pencils and watercolor, bottom drawing is Sharpie marker and gouache. Maybe my next serious should be crying men in film...

TEXTures in Brooklyn!

Last week I was delighted to show a small series of drawings in an art exhibit in Brooklyn, entitled "TEXTures," curated by my friend, and fellow artist, Molly (see her website at: http://www.mollydigrazia.com/) The show's theme centered around text in works of art, and the media ranged from drawings and paintings to sculpture, film, and photography. Here is a photo of the crowd that gathered for the one-night-only exhibition. My drawings are on the far left. Here's a closer look:

The series I created for the show is a suite of six 6"x8" drawings based on the short film by experimental filmmaker Kenneth Anger, "Puce Moment," of 1949. The text was taken from the First Duino Elegy, a poem by Rainer Maria Rilke (originally in German). I used compositions from stills from the film and took some liberties with color, as well as simplified the whole in order to make them all the more "Becky-esque." <--new term just invented...feel free to use liberally...

For these drawings I used watercolor, Sharpie marker, pencil, and gold and silver metallic acrylic craft paint.

Lost in Translation

These are a few drawings inspired by the movie "Lost in Translation..."

This last one looks like a Francesco Clemente rip-off, although I wasn't thinking of it at the time...all of these are watercolor and Sharpie marker, and in this last one I added red marker.

Singin' in the Rain

Inspired by a shot of Debbie Reynolds in one of the final scenes of "Singin' in the Rain." Watercolor, Sharpie, and pencil.

From a Poster

This drawing (watercolor and pen) is based on a black-and-white photograph on a poster I have in my room.